25 Irish Polkas Every Session Musician Should Learn

A repertoire guide to traditional 2/4 Irish polkas based on tune-set and recording data from The Session, featuring key guides and an interactive practice tracker.
Cozy traditional Irish pub session corner with a button accordion, concertina, wooden flute, and fiddle resting on an oak table

Quick Facts & Repertoire Highlights

Total Polkas Analysed: 1,703 tunes
Top Overall Polka: John Ryan's (#1 in 483 sets)
Dominant Keys: D Major (48%), G Major (24%), A Dorian (16%)
Regional Associations: Sliabh Luachra borderlands
Interactive Explorer: Check out the Session Staples Finder Tool to filter and listen to these polkas dynamically.

1. Introduction: The 2/4 Meter of Traditional Polkas

In traditional Irish music, polkas represent a distinct dance form characterized by a 2/4 meter and a buoyant rhythmic pulse.

While 19th-century European dance music influenced the style, polkas became integrated into Irish regional playing, particularly in Sliabh Luachra — the musical region centred on the borderlands of east Kerry and north-west Cork, with connections into west Limerick. Fiddlers such as Pádraig O'Keeffe, Denis Murphy, and Julia Clifford, alongside accordion players like Jackie Daly, are widely associated with this regional repertoire, which features finger cuts, open-string drones, and concise melodic articulation.

This guide ranks the 25 most represented Irish polkas based on tune-set and recording data from The Session.

2. Interactive Practice Checklist & Comparison Table

Track your progress as you learn each tune. Check off tunes to save your progress locally in your browser.

My Polka Repertoire Progress

0 of 25 tunes learned (0%)
Learned Rank Tune Name Key Difficulty Session Sets Recordings
#1 Dmajor Beginner 483 64
#2 Dmajor Beginner 448 48
#3 Adorian Beginner / Intermediate 385 57
#4 Adorian Beginner / Intermediate 283 54
#5 Dmajor Beginner / Intermediate 273 42
#6 Gmajor Beginner 248 70
#7 Dmajor Beginner 219 44
#8 Amajor Beginner / Intermediate 194 52
#9 Amixolydian Intermediate 184 52
#10 Gmajor Beginner 159 52
#11 Bminor Intermediate 139 42
#12 Adorian Intermediate 114 23
#13 Amajor Intermediate 98 24
#14 Dmajor Beginner 94 32
#15 Dmajor Beginner / Intermediate 94 9
#16 Gmajor Intermediate 83 37
#17 Adorian Intermediate 82 34
#18 Dmajor Beginner 76 41
#19 Dmajor Beginner 75 52
#20 Adorian Intermediate / Advanced 75 22
#21 Dmajor Beginner 72 32
#22 Gmajor Intermediate 71 29
#23 Dmajor Intermediate 70 41
#24 Gmajor Intermediate 69 21
#25 Gmajor Intermediate 66 36

3. Detailed Breakdown of the Top 25 Session Polkas

Below is an overview of each tune, including playing advice, landmark album recordings, and common set transitions:

#1 TheSession logo John Ryan's

Standard Key: Dmajor • Meter: 2/4 • Level: Beginner
Session Sets: 483 Commercial Albums: 64 User Bookmarks: 161

Included in the soundtrack to the film Titanic (“An Irish Party in Third Class”), John Ryan's Polka is a D major tune associated with the Sliabh Luachra repertoire. Its scalar movement in 2/4 meter is straightforward to follow.

Playing & Styling Tips:

Focus on clear rhythmic articulation and steady tempo. Keep finger movement light through the scalar passages in the second strain.

Landmark Recordings:

Denis Murphy & Julia Clifford – The Star Above the Garter (1969); Planxty – Cold Blow and the Rainy Night (1974)

Common Session Pairings:

#2 TheSession logo Egan's

Standard Key: Dmajor • Meter: 2/4 • Level: Beginner
Session Sets: 448 Commercial Albums: 48 User Bookmarks: 142

Set in D major, Egan's Polka (sometimes titled The Kerry Polka) features 448 set appearances in the database. Its melody moves across the upper register with straightforward 2/4 phrasing.

Playing & Styling Tips:

Maintain a steady lift on the primary beats. Use light finger cuts on repeated notes to define the phrasing.

Landmark Recordings:

Traditional session repertoire

Common Session Pairings:

#3 TheSession logo Ballydesmond, The

Standard Key: Adorian • Meter: 2/4 • Level: Beginner / Intermediate
Session Sets: 385 Commercial Albums: 57 User Bookmarks: 106

One of the tunes commonly grouped as the Ballydesmond Polkas, this A dorian melody is part of the Sliabh Luachra repertoire. Denis Murphy and Julia Clifford recorded a three-polka set on The Star Above the Garter (1969) that features tunes from this group.

Playing & Styling Tips:

Pay attention to the G natural in the A dorian scale. Keep finger cuts clean without disrupting the underlying 2/4 pulse.

Landmark Recordings:

Denis Murphy & Julia Clifford – The Star Above the Garter (1969); Sliabh Notes – Sliabh Notes (1995)

Common Session Pairings:

#4 TheSession logo Ballydesmond, The

Standard Key: Adorian • Meter: 2/4 • Level: Beginner / Intermediate
Session Sets: 283 Commercial Albums: 54 User Bookmarks: 66

Another tune included among the Ballydesmond Polkas, this A dorian melody frequently follows or precedes other polkas in the group during session play.

Playing & Styling Tips:

Highlight the rhythmic phrasing in the second strain. Fiddlers often employ open-string drones to reinforce the modal center.

Landmark Recordings:

Denis Murphy & Julia Clifford – The Star Above the Garter (1969); Patrick Street – Cornerboys (1993)

Common Session Pairings:

#5 TheSession logo Denis Murphy's

Standard Key: Dmajor • Meter: 2/4 • Level: Beginner / Intermediate
Session Sets: 273 Commercial Albums: 42 User Bookmarks: 50

Associated with the Sliabh Luachra fiddler Denis Murphy (1910–1974), this D major polka is paired in the database with other D major or G major polkas.

Playing & Styling Tips:

Focus on clear note separation on repeated D notes. Keep the tempo steady and avoid accelerating through the second strain.

Landmark Recordings:

Denis Murphy & Julia Clifford – The Star Above the Garter (1969); The Bothy Band – Out of the Wind Into the Sun (1977)

Common Session Pairings:

#6 TheSession logo Maggie In The Woods

Standard Key: Gmajor • Meter: 2/4 • Level: Beginner
Session Sets: 248 Commercial Albums: 70 User Bookmarks: 101

A G major polka featuring 248 set appearances and 70 commercial album recordings in the database. Its two-part melody moves predictably across the G scale.

Playing & Styling Tips:

Use light articulation on whistle or short bow strokes on fiddle to outline the 2/4 dance pulse.

Landmark Recordings:

The Chieftains – The Chieftains 9: Boil the Breakfast Early (1979); Sharon Shannon – Sharon Shannon (1991)

Common Session Pairings:

#7 TheSession logo Britches Full Of Stitches, The

Standard Key: Dmajor • Meter: 2/4 • Level: Beginner
Session Sets: 219 Commercial Albums: 44 User Bookmarks: 75

A D major polka featuring a two-part structure with repeated melodic figures. Its clear phrasing provides a useful exercise in 2/4 rhythm.

Playing & Styling Tips:

Keep ornaments concise to preserve the clarity of the melodic line.

Landmark Recordings:

Paddy Cronin – The House on the Hill (1975); Jackie Daly & Kevin Burke – Eavesdrop (1981)

Common Session Pairings:

#8 TheSession logo Bill Sullivan's

Standard Key: Amajor • Meter: 2/4 • Level: Beginner / Intermediate
Session Sets: 194 Commercial Albums: 52 User Bookmarks: 59

Also listed under alternative titles including Mickey Chewing Bubble Gum, this A major polka is associated in some collections with Sliabh Luachra musician Terry “Cuz” Teahan. It features high register leaps in the second strain.

Playing & Styling Tips:

Maintain accurate intonation on C# and G# in the upper octave. Keep bass accents steady on accordion or concertina.

Landmark Recordings:

Kevin Burke – In Concert (1999); Sliabh Notes – Along the Blackwater (2002)

Common Session Pairings:

#9 TheSession logo Maids Of Ardagh, The

Standard Key: Amixolydian • Meter: 2/4 • Level: Intermediate
Session Sets: 184 Commercial Albums: 52 User Bookmarks: 48

An A mixolydian polka associated with Munster tradition. The contrast between C sharp and G natural produces a distinct mixolydian modal character.

Playing & Styling Tips:

Focus on smooth finger transitions between C# and G natural to maintain intonation and modal clarity.

Landmark Recordings:

Jackie Daly – Many a Happy Hour (1995); De Dannan – Star-Spangled Molly (1981)

Common Session Pairings:

#10 TheSession logo Rakes Of Mallow, The

Standard Key: Gmajor • Meter: 2/4 • Level: Beginner
Session Sets: 159 Commercial Albums: 52 User Bookmarks: 69

A G major tune adopted into the polka repertoire, The Rakes of Mallow features a scalar two-part melody in 2/4 meter.

Playing & Styling Tips:

Maintain even scalar fingerings and clear rhythmic separation on the opening G-B passages.

Landmark Recordings:

The Chieftains – The Chieftains 3 (1971)

Common Session Pairings:

#11 TheSession logo Ievan Polkka

Standard Key: Bminor • Meter: 2/4 • Level: Intermediate
Session Sets: 139 Commercial Albums: 42 User Bookmarks: 55

A Finnish polka melody that has been adopted into some Irish traditional session repertoires. Set in B minor, it provides a minor-mode contrast to D and G major polkas.

Playing & Styling Tips:

Maintain strict tempo control in B minor. Use concise articulation on lower register notes.

Landmark Recordings:

Kevin Crawford – Carrying the Tune (2012)

Common Session Pairings:

#12 TheSession logo Ballydesmond, The

Standard Key: Adorian • Meter: 2/4 • Level: Intermediate
Session Sets: 114 Commercial Albums: 23 User Bookmarks: 27

An A dorian tune associated with the Ballydesmond Polka group, played alongside other polkas from the same family.

Playing & Styling Tips:

Maintain smooth transitions between the first and second strains, keeping the rhythmic emphasis grounded.

Landmark Recordings:

Denis Murphy & Julia Clifford – The Star Above the Garter (1969); Patrick Street – Cornerboys (1993)

Common Session Pairings:

#13 TheSession logo Jessica's

Standard Key: Amajor • Meter: 2/4 • Level: Intermediate
Session Sets: 98 Commercial Albums: 24 User Bookmarks: 27

Composed by West Limerick accordion player Mick Mulcahy for his daughter, Jessica's Polka is an A major tune in modern session repertoire.

Playing & Styling Tips:

Practice register shifts carefully to maintain fluid fingerwork through the high-register passages.

Landmark Recordings:

Mick, Louise & Michelle Mulcahy – Notes From the Heart (2005); Sharon Shannon – Out the Gap (1994)

Common Session Pairings:

#14 TheSession logo Dashing White Sergeant, The

Standard Key: Dmajor • Meter: 2/4 • Level: Beginner
Session Sets: 94 Commercial Albums: 32 User Bookmarks: 15

A D major dance melody common to Scottish and Irish traditional repertoire, played for set and ceilidh dancing.

Playing & Styling Tips:

Keep the dotted rhythms springy without rushing beat transitions.

Landmark Recordings:

Jimmy Shand – The Legendary Jimmy Shand (1960)

Common Session Pairings:

#15 TheSession logo Forty-Two Pound Cheque, The

Standard Key: Dmajor • Meter: 2/4 • Level: Beginner / Intermediate
Session Sets: 94 Commercial Albums: 9 User Bookmarks: 22

A D major Sliabh Luachra polka that is paired in the database with Denis Murphy's Polka and John Ryan's Polka.

Playing & Styling Tips:

Emphasize the primary downbeats with subtle bow pulse or bellows articulation to establish the dance rhythm.

Landmark Recordings:

Julia Clifford – The Humours of Ballydaly (1977); Matt Molloy & Sean Keane – Contentment Is Wealth (1985)

Common Session Pairings:

#16 TheSession logo Knocknaboul, The

Standard Key: Gmajor • Meter: 2/4 • Level: Intermediate
Session Sets: 83 Commercial Albums: 37 User Bookmarks: 15

A G major polka associated with Sliabh Luachra, titled after the townland of Knocknaboul in County Kerry.

Playing & Styling Tips:

Ensure clean ornament execution in the second strain while maintaining a steady 2/4 pace.

Landmark Recordings:

Paddy Cronin – Kerry's Own Paddy Cronin (1977); Jackie Daly – Sliabh Luachra Accordion (1977)

Common Session Pairings:

#17 TheSession logo Tralee Gaol

Standard Key: Adorian • Meter: 2/4 • Level: Intermediate
Session Sets: 82 Commercial Albums: 34 User Bookmarks: 34

An A dorian polka titled after Tralee Gaol in County Kerry. Its minor modal structure provides contrast when grouped with major-key polkas.

Playing & Styling Tips:

Use subtle ornamentation and controlled finger rolls to highlight the modal cadences.

Landmark Recordings:

Boys of the Lough – In the Golden Vanity (1976); Jackie Daly & Kevin Burke – Eavesdrop (1981)

Common Session Pairings:

#18 TheSession logo Rose Tree, The

Standard Key: Dmajor • Meter: 2/4 • Level: Beginner
Session Sets: 76 Commercial Albums: 41 User Bookmarks: 26

A D major tune known in Irish and British traditional music, played as a polka in session settings.

Playing & Styling Tips:

Maintain an even, relaxed pace to let the melodic arch of the phrase speak clearly.

Landmark Recordings:

The Chieftains – The Chieftains 2 (1969)

Common Session Pairings:

#19 TheSession logo I'll Tell Me Ma

Standard Key: Dmajor • Meter: 2/4 • Level: Beginner
Session Sets: 75 Commercial Albums: 52 User Bookmarks: 42

A D major melody shared between traditional song and instrumental polka repertoires across Ireland and Britain.

Playing & Styling Tips:

Focus on clear 2/4 rhythm to support ensemble playing and sing-along settings.

Landmark Recordings:

The Clancy Brothers & Tommy Makem – In Person at Carnegie Hall (1963)

Common Session Pairings:

#20 TheSession logo Tolka, The

Standard Key: Adorian • Meter: 2/4 • Level: Intermediate / Advanced
Session Sets: 75 Commercial Albums: 22 User Bookmarks: 27

Composed by Dónal Lunny and named after the Tolka River in Dublin, this A dorian polka was recorded by Planxty on The Woman I Loved So Well (1980).

Playing & Styling Tips:

Pay close attention to rhythmic precision and clean articulation through the chromatic turns in the second strain.

Landmark Recordings:

Planxty – The Woman I Loved So Well (1980); Patrick Street – Patrick Street (1986)

Common Session Pairings:

#21 TheSession logo Rattlin' Bog, The

Standard Key: Dmajor • Meter: 2/4 • Level: Beginner
Session Sets: 72 Commercial Albums: 32 User Bookmarks: 46

A D major melody associated with the traditional cumulative song of the same name, played instrumentally as a polka.

Playing & Styling Tips:

Maintain a driving, steady tempo so accompaniment instruments can maintain a solid 2/4 backing pulse.

Landmark Recordings:

The Dubliners – At Home with The Dubliners (1969)

Common Session Pairings:

#22 TheSession logo Memories Of Ballymote

Standard Key: Gmajor • Meter: 2/4 • Level: Intermediate
Session Sets: 71 Commercial Albums: 29 User Bookmarks: 14

A G major polka associated with the South Sligo tradition, titled after the town of Ballymote.

Playing & Styling Tips:

Focus on smooth phrasing and concise fingered cuts rather than aggressive bowing accents.

Landmark Recordings:

Fred Finn & Peter Horan – Music from Coleman Country (1972); Dervish – Harmony Hill (1993)

Common Session Pairings:

#23 TheSession logo Little Diamond, The

Standard Key: Dmajor • Meter: 2/4 • Level: Intermediate
Session Sets: 70 Commercial Albums: 41 User Bookmarks: 10

A D major polka featuring note runs and triplet turns, played on accordion and fiddle in Munster sessions.

Playing & Styling Tips:

Practice triplet passages slowly to ensure finger independence before bringing up to full session speed.

Landmark Recordings:

Jackie Daly – Many a Happy Hour (1995)

Common Session Pairings:

#24 TheSession logo Scartaglen, The

Standard Key: Gmajor • Meter: 2/4 • Level: Intermediate
Session Sets: 69 Commercial Albums: 21 User Bookmarks: 26

A G major polka associated with the village of Scartaglen in Sliabh Luachra, included in regional Kerry fiddle and accordion repertoires.

Playing & Styling Tips:

Highlight the 2/4 lift of the Scartaglen style with short, well-articulated bow strokes.

Landmark Recordings:

Denis Murphy, Julia Clifford & Padraig O'Keeffe – Kerry Fiddles (1977); Sliabh Notes – Gleanntán (1999)

Common Session Pairings:

#25 TheSession logo Ballydesmond, The

Standard Key: Gmajor • Meter: 2/4 • Level: Intermediate
Session Sets: 66 Commercial Albums: 36 User Bookmarks: 33

A G major polka associated with the Ballydesmond group, played in combination with the A dorian tunes from the same family.

Playing & Styling Tips:

Shift smoothly into G major when transitioning from A dorian tunes, maintaining consistent tempo.

Landmark Recordings:

Denis Murphy & Julia Clifford – The Star Above the Garter (1969); Kevin Burke – Up Close (1984)

Common Session Pairings:

4. Playing Tips, Articulation & Performance Style for Polkas

Polka Rhythm & Style

  • Rhythmic Lift & Phrasing: In Sliabh Luachra polka style, emphasis and lift are created through subtle finger cuts, note separation, and rhythmic weight within the 2/4 bar rather than uniform mechanical accents.
  • Articulation: Fiddlers often use short, distinct bow strokes, while accordion and whistle players use clean cuts and taps to outline the meter without blurring the tune.
  • Set Structure: Polkas are commonly played in sets of two or three tunes, often maintaining tempo while shifting key (for instance, from A dorian into D major or G major).
  • Tempo Management: Polkas benefit from a steady, grounded beat that supports dancers and accompaniment without rushing beat transitions.

5. Frequently Asked Questions (FAQ)

What distinguishes a polka from a reel or jig in Irish music?

Reels are in 4/4 or 2/2 time and jigs are in 6/8 time, whereas polkas are in 2/4 meter. Polkas typically feature shorter two-phrase structures with clear 2/4 cadences.

Which instruments are strongly associated with Irish polka traditions?

The button accordion, melodeon, concertina, and fiddle are central to Sliabh Luachra polka tradition. Tin whistle, wooden flute, banjo, and uilleann pipes are also widely used.

How are polka sets commonly structured in sessions?

Polkas are commonly played in sets of two or three tunes, repeating each tune two or three times. Sets often pair tunes of related regional association or complementary modal centers.

Are polkas suitable for beginner musicians?

Many polkas feature clear scalar motion and concise two-part structures, making them accessible entry points for learning 2/4 timing and ornamentation.

6. Conclusion & Next Steps

Polkas form a distinct branch of Irish traditional music. Learning these 25 tunes provides a solid foundation for playing polka sets in sessions.