The Most Versatile Irish Slip Jigs

The Tunes That Connect Everything: Analyzing transition diversity and mapping the 'glue tunes' of the 9/8 Irish session repertoire.
Back to Analysis Index
A concertina and a traditional Irish harp sitting on a cozy pub table next to a pint of stout
Elegance in 9/8: slip jigs weave open, modal soundscapes that link standard majors and minors.
Published: July 2026 By Trad Tune Explorer Editorial

Quick Facts: Slip Jig Transition Network

Total Slip Jigs Mapped
1,842
Mapped Transitions
28,412
Key Bridge Centers
E minor, G major, A Dorian, D major
Versatility Leader
The Butterfly (364 connections)

Introduction: The Flight of the Slip Jig

The slip jig (often called the "hop jig") is one of the most distinctive and lyrical rhythms in traditional Irish music. Written in 9/8 time, it features three beats per bar instead of the standard two found in double jigs (6/8) or reels (4/4). This uneven, flowing meter gives slip jigs a unique "skipping" feel, making them a favorite for both social dancing and listening.

In session circles, slip jigs are usually played in sets to build a slow, rolling momentum that can lead to a peak in energy. Because of their syncopated structure, transitioning between slip jigs requires careful pacing. Session players rely on "glue tunes"—versatile slip jigs that bridge keys smoothly, resolve fingering tension, and connect different modal families.

Using data from the **Trad Tune Explorer**, we analyzed thousands of tune sets and session recordings to map out the slip jig transition network. By calculating **Degree Centrality** (the number of unique preceding and following tunes associated with each melody), we have identified the top 25 most versatile slip jigs. Whether you are looking for high-value session repertoire or trying to craft a set that flows logically, these are the tunes that connect everything.

What Makes a Slip Jig Versatile?

To database engineers, versatility is a function of graph network centrality. But to traditional musicians, versatility is about physical and musical ergonomics:

  • Outgoing Transitions (Exit Versatility): How easily a tune lets the session transition into something new. A slip jig with high exit versatility has a neutral ending note or scale position that resolves cleanly, allowing players to transition into G major, D major, or E minor.
  • Incoming Transitions (Entry Versatility): How easily other tunes can lead into it. Slip jigs with high entry versatility act as open doors, resolving harmonic tension built up by more complex or obscure melodies.
  • Key and Modal Adaptability: Slip jigs that occupy key family pivots (such as E minor, G major, and A Dorian) are highly versatile. They can easily modulate up or down a step or pivot between relative majors and minors.
  • Fingering Ergonomics: A session glue tune must sit comfortably under the fingers. Repetitive, circular fingering patterns on the fiddle, tin whistle, concertina, and uilleann pipes allow musicians to maintain a steady tempo without finger trips.

The Studio vs. Session Paradox: The Locked Slip Jigs

A common trap when building repertoire is confusing **popularity** (how often a tune is played) with **versatility** (how many contexts it can fit into).

Some slip jigs are incredibly popular due to a single legendary recording. For example, *The Snowy Path* (ranked #8 in versatility) is famous worldwide and played frequently (398 transitions). However, it has a total connected count of only 130 unique tunes. Why? Because it is often locked into rigid set structures. It behaves as a specialist rather than a generalist.

In contrast, look at **The Butterfly** (ranked #1 in centrality with 364 unique tunes). It connects with 173 distinct next tunes and 191 distinct previous tunes. It is the ultimate connector, fitting seamlessly into sets, regardless of key or modal background. A versatile slip jig like *The Butterfly* is a structural bridge, whereas a popular but set-locked tune is a destination.

Visualizing the Slip Jig Transition Network

Transition Network: The Butterfly Hub

Showing the spiderweb of unique transitions branching out from The Butterfly (ID 10) to other key standards.

THE BUTTERFLY E Minor Kid On The Mountain E Minor · 18.3% A Fig For A Kiss E Dorian · 15.2% Hardiman The Fiddler A Dorian · 5.2% Foxhunter's D Major · 4.3% Rocky Road To Dublin A Dorian · 4.0%

Slip Jig Modal Bridge Progression

How versatile slip jigs facilitate smooth modal modulations across session sets.

E Minor The Butterfly E Dorian A Fig For A Kiss Bridge Hub A Dorian Hardiman D Major An Phis Fhliuch

The 25 Most Versatile Irish Slip Jigs

Here is the complete ranking of the 25 most versatile slip jigs in the traditional archive, compiled from transition network centrality on the Trad Tune Explorer.

1. The Butterfly

E Minor
Connected Tunes: 364 Next Tunes: 173 Previous Tunes: 191 Total Transitions: 1605 Recordings: 137

Why it connects: The Butterfly is the absolute giant of the slip jig repertoire. Composed by Tommy Potts, its haunting E minor melody features a unique, flowing structure that makes it highly recognizable. It is extremely neutral, bridging minor keys and relative majors with absolute ease.

Common Session Pairings: Most frequently leads into The Kid On The Mountain (18.3%) or A Fig For A Kiss (15.2%).

Landmark Recording: The Liffey Banks by Tommy Potts Visual Transition Trees: Session Sets  •  Commercial Recordings

2. A Fig For A Kiss

E Dorian
Connected Tunes: 236 Next Tunes: 121 Previous Tunes: 115 Total Transitions: 1064 Recordings: 89

Why it connects: A classic E Dorian slip jig. Its rhythmic bounce and circular fingering pattern sitting on E and D intervals make it highly approachable on all instruments. It provides an excellent transition bridge from minor keys into relative majors.

Common Session Pairings: Leads into Hardiman The Fiddler (9.0%) or The Kid On The Mountain (6.1%).

Visual Transition Trees: Session Sets  •  Commercial Recordings
Connected Tunes: 204 Next Tunes: 96 Previous Tunes: 108 Total Transitions: 962 Recordings: 126

Why it connects: A massive, multi-part E minor standard (traditionally containing five parts). Its epic structure build makes it a popular starter or centerpiece for slip jig sets.

Common Session Pairings: Leads into An Phis Fhliuch (13.4%) or The Foxhunter's (8.4%).

Visual Transition Trees: Session Sets  •  Commercial Recordings
Connected Tunes: 251 Next Tunes: 125 Previous Tunes: 126 Total Transitions: 839 Recordings: 53

Why it connects: Composed by Mike McGoldrick, this modern A major slip jig has taken the tradition by storm. It serves as an incredible lift tune, transitioning sets out of traditional minors with a burst of bright, modern energy.

Visual Transition Trees: Session Sets  •  Commercial Recordings

5. Hardiman The Fiddler

A Dorian
Connected Tunes: 167 Next Tunes: 85 Previous Tunes: 82 Total Transitions: 661 Recordings: 132

Why it connects: A classic, driving A Dorian slip jig. Its rhythmic A-part features repeating patterns that build immediate session momentum, making it a universal favourite.

Visual Transition Trees: Session Sets  •  Commercial Recordings

6. The Foxhunter's

D Major
Connected Tunes: 161 Next Tunes: 79 Previous Tunes: 82 Total Transitions: 684 Recordings: 116

Why it connects: A massive D major slip jig (traditionally four parts). Its driving, scalar structure sits beautifully on fiddles and whistles, providing an amazing lift to sets.

Visual Transition Trees: Session Sets  •  Commercial Recordings
Connected Tunes: 129 Next Tunes: 69 Previous Tunes: 60 Total Transitions: 433 Recordings: 81

Why it connects: A traditional Connemara slip jig. Its bouncing G major melody and syncopated runs sit perfectly on concertina and pipes.

Visual Transition Trees: Session Sets  •  Commercial Recordings

8. The Snowy Path

G Major
Connected Tunes: 130 Next Tunes: 78 Previous Tunes: 52 Total Transitions: 398 Recordings: 22

Why it connects: Composed by Tommy Peoples, this beautiful G major slip jig is highly popular. Its lyrical runs make it a fantastic starter or mid-set bridge.

Visual Transition Trees: Session Sets  •  Commercial Recordings
Connected Tunes: 153 Next Tunes: 77 Previous Tunes: 76 Total Transitions: 399 Recordings: 112

Why it connects: A legendary song and tune. Its A Dorian character and driving rhythm offer an excellent bridge between minor and major slip jigs.

Visual Transition Trees: Session Sets  •  Commercial Recordings
Connected Tunes: 147 Next Tunes: 76 Previous Tunes: 71 Total Transitions: 324 Recordings: 89

Why it connects: A driving A Dorian slip jig. Its modal character allows for smooth, slow-building sets.

Visual Transition Trees: Session Sets  •  Commercial Recordings

11. The Cock And The Hen

B Minor
Connected Tunes: 131 Next Tunes: 61 Previous Tunes: 70 Total Transitions: 418 Recordings: 69

Why it connects: A classic B minor slip jig. Its sharp, driving intervals offer an excellent contrast to standard major-key tunes.

Visual Transition Trees: Session Sets  •  Commercial Recordings

12. The Drops Of Brandy

G Major
Connected Tunes: 137 Next Tunes: 65 Previous Tunes: 72 Total Transitions: 378 Recordings: 103

Why it connects: A bouncing G major standard. Its scalar runs make it extremely approachable for beginners.

Visual Transition Trees: Session Sets  •  Commercial Recordings

13. Soggy's

A Major
Connected Tunes: 83 Next Tunes: 36 Previous Tunes: 47 Total Transitions: 254 Recordings: 11

Why it connects: A highly popular A major slip jig. Its modern structure offers an excellent lift to traditional sets.

Visual Transition Trees: Session Sets  •  Commercial Recordings

14. An Phis Fhliuch

D Major
Connected Tunes: 126 Next Tunes: 61 Previous Tunes: 65 Total Transitions: 363 Recordings: 100

Why it connects: Also known as *The Choice Wife*, this D major standard has a beautiful, rolling melody. It frequently follows *The Kid On The Mountain* in session sets.

Visual Transition Trees: Session Sets  •  Commercial Recordings
Connected Tunes: 90 Next Tunes: 52 Previous Tunes: 38 Total Transitions: 269 Recordings: 51

Why it connects: A classic E Dorian slip jig. Its rhythmic bounce and circular fingering patterns make it highly versatile.

Visual Transition Trees: Session Sets  •  Commercial Recordings
Connected Tunes: 130 Next Tunes: 53 Previous Tunes: 77 Total Transitions: 316 Recordings: 55

Why it connects: A classic B minor slip jig. It provides a sharp, rhythmic lift in sets.

Visual Transition Trees: Session Sets  •  Commercial Recordings

17. Ryan's Slip Jig

G Major
Connected Tunes: 96 Next Tunes: 50 Previous Tunes: 46 Total Transitions: 255 Recordings: 73

Why it connects: Also known as *The Whinny Hills of Leitrim*, this G major tune features clear, scalar progressions that sit perfectly on fiddle and concertina.

Visual Transition Trees: Session Sets  •  Commercial Recordings
Connected Tunes: 94 Next Tunes: 50 Previous Tunes: 44 Total Transitions: 279 Recordings: 42

Why it connects: A classic G major slip jig (often played as a hop jig). Its winding melody sits beautifully on uilleann pipes and fiddle.

Visual Transition Trees: Session Sets  •  Commercial Recordings

19. Dever The Dancer

E Minor
Connected Tunes: 89 Next Tunes: 47 Previous Tunes: 42 Total Transitions: 247 Recordings: 52

Why it connects: A driving E minor slip jig. It provides a dark, traditional atmosphere that pairs beautifully with G major standards.

Visual Transition Trees: Session Sets  •  Commercial Recordings

20. Moll Roe

G Major
Connected Tunes: 83 Next Tunes: 41 Previous Tunes: 42 Total Transitions: 222 Recordings: 57

Why it connects: A traditional G major slip jig. Its syncopated runs are popular in early session rounds.

Visual Transition Trees: Session Sets  •  Commercial Recordings
Connected Tunes: 114 Next Tunes: 51 Previous Tunes: 63 Total Transitions: 285 Recordings: 87

Why it connects: A bouncing G major slip jig. It is an extremely approachable tune for beginners.

Visual Transition Trees: Session Sets  •  Commercial Recordings

22. The Swaggering

E Minor
Connected Tunes: 87 Next Tunes: 42 Previous Tunes: 45 Total Transitions: 229 Recordings: 30

Why it connects: A classic E minor slip jig. It is a popular set opener.

Visual Transition Trees: Session Sets  •  Commercial Recordings
Connected Tunes: 65 Next Tunes: 34 Previous Tunes: 31 Total Transitions: 134 Recordings: 36

Why it connects: A beautiful E Dorian slip jig. Its flowing runs sit beautifully on whistle and pipes.

Visual Transition Trees: Session Sets  •  Commercial Recordings
Connected Tunes: 74 Next Tunes: 42 Previous Tunes: 32 Total Transitions: 125 Recordings: 25

Why it connects: A classic E minor slip jig. It provides a dark, traditional atmosphere that pairs beautifully with G major standards.

Visual Transition Trees: Session Sets  •  Commercial Recordings

25. Garech's Wedding

E Dorian
Connected Tunes: 59 Next Tunes: 35 Previous Tunes: 24 Total Transitions: 121 Recordings: 9

Why it connects: A beautiful E Dorian slip jig (composed by Paddy Moloney of The Chieftains). It is a popular set opener.

Visual Transition Trees: Session Sets  •  Commercial Recordings

Deep-Dive Feature Callouts

Why The Butterfly Works With Almost Everything

*The Butterfly* sits in E minor, which shares a key signature with G major and E Dorian. Because it occupies the very center of this key family, it acts as a massive harmonic hub. Its melody is relatively simple, focusing on scalar steps and basic triads rather than complex jumps, which makes it extremely neutral. Guitarists can lay down solid, open drones under it, and backing players can take the set in almost any direction next. This harmonic neutrality is the secret to its massive versatility score.

The Classic Duo: The Butterfly → Kid On The Mountain

In almost every session in the world, if you play *The Butterfly*, you will follow it with *The Kid On The Mountain*. Our database statistics show this transition is incredibly strong: **18.36% of the time** (163 times in sets), *The Butterfly* leads directly into *The Kid On The Mountain*. While this is a gorgeous pairing that maintains the E minor lift, it is a classic example of a strong set association. Thankfully, both tunes are so versatile that they also connect to hundreds of other tunes when players decide to break the mold.

Most Surprising Slip Jigs in the Top 25

The most surprising entry in the top 25 is **Farewell To Whalley Range** (#4). Composed by flutist Michael McGoldrick, its high centrality score demonstrates how quickly modern compositions can become core session standards. It serves as a fantastic lift tune, transitioning sets out of traditional minors.

What Makes Great Session "Glue Tunes"

A great session slip jig needs three features:

  1. Harmonic Neutrality: Supporting simple, open chords without forcing backing guitarists into frantic shifts.
  2. Ergonomic Fingering: Sitting comfortably on whistle, flute, and fiddle, avoiding complex cross-fingerings.
  3. Modal Anchoring: Starting and ending on common root notes (E, G, A) so players can easily slide in from other keys.

Frequently Asked Questions

What is a versatile slip jig?

A versatile slip jig is a traditional Irish tune in 9/8 time that demonstrates exceptional transition diversity. Rather than just being played frequently in a single static set, a versatile slip jig connects with a wide variety of different tunes (both preceding and following it) across different keys, modes, and sets.

How were these rankings calculated?

These rankings were calculated using network graph analysis on hundreds of thousands of recorded tune transitions from TheSession.org. Tunes were scored based on their 'degree centrality'—specifically, the number of distinct, unique preceding and following tunes associated with them in sets, rather than their absolute popularity count.

Are these the most popular slip jigs?

Not necessarily. Popularity counts how often a tune is played. Versatility measures how many different musical contexts a tune can fit into. For instance, some slip jigs are highly popular but are almost always played in the exact same set, whereas versatile slip jigs act as 'glue' and can be inserted into countless different combinations.

Why do some famous slip jigs rank lower?

Famous slip jigs like The Snowy Path are played often but have lower transition versatility because they are 'set-locked.' They are almost exclusively paired in a single famous combination, giving them high popularity but limited structural versatility in other sets.

How can I use versatile slip jigs when building session sets?

Versatile slip jigs are perfect 'bridge' or 'closer' tunes. If you want to transition between distant keys (e.g., from an E minor tune to a D major tune), inserting a versatile slip jig like The Butterfly or A Fig For A Kiss provides a smooth, ergonomically satisfying bridge that most session players will instantly recognize and follow.

Conclusion & Repertoire Recommendations

Whether you are just starting out on your traditional music journey or are an experienced session player looking to refresh your repertoire, learning versatile slip jigs is the single most efficient way to expand your musical horizons. By mastering tunes like *The Butterfly*, *A Fig For A Kiss*, *The Kid On The Mountain*, and *Hardiman The Fiddler*, you gain entry tickets to thousands of sessions worldwide.

We invite you to use the interactive tools of the **Trad Tune Explorer** to dig deeper into these tune networks. Search for your favorite slip jigs, explore their transition trees, and discover hidden connections that can help you compose your own perfect session sets.