The most recorded and celebrated fiddle version of The Maid Behind the Bar is by Clare fiddle master Vincent Griffin on his 1977 album Traditional Fiddle Music from County Clare. For a classic group arrangement, listen to Aly Bain on his 1980s solo albums. Sourced from our database of 196 recordings, The Maid Behind the Bar is the #3 most played reel in live sessions, appearing in 909 unique sets.
Why this page is useful: This data-driven guide analyzes commercial albums and user sets from the Trad Tune Explorer database. We break down the tune's history, musical structure, chronological recording timeline, notable recordings, and popular set transitions.
1. Introduction & History: The Story of The Maid Behind The Bar
Also known as "The Green Mountain" or "The Barmaid," The Maid Behind the Bar is a bright, driving D major reel. Its syncopated phrasing and dramatic shifts in register make it a true crowd-pleaser and a staple of any high-energy reel set.
The Maid Behind the Bar is a traditional Irish reel. It has long been associated with the Clare and Galway fiddle traditions, where its bouncing rhythm and slides are played with signature lift. The tune is characterized by its syncopated A-part, which jumps up to a high B note on the fiddle, and its rolling, scale-like B-part. It was recorded early in America by legendary Sligo fiddler Michael Coleman in the 1920s under the title "The Green Mountain." Since then, it has become a fundamental standard of the tradition, taught to intermediate students worldwide.
- Multiple Titles: Often called "The Green Mountain" or "The Barmaid" on older albums.
- Syncopation: The A-part features beautiful rhythmic syncopation on the B and A notes, requiring solid timing.
- Universal Repertoire: Appears in 909 live session sets in our database, making it the #3 most popular session reel.
- Great Partner: Famously follows Cooley's Reel or The Silver Spear.
2. Reel Comparison: How The Maid Behind The Bar Compares with Other Reels
In traditional Irish music, certain reels become "session standards"—tunes that almost every musician knows, facilitating instant group playing in any pub across the globe. To see where The Maid Behind The Bar stands, we queried the Trad Tune Explorer database to compare it to other prominent reels:
| Reel Title | Key / Mode | Session Sets | Recordings Count | User Bookmarks |
|---|---|---|---|---|
| Drowsy Maggie (ID: 27) | E Dorian | 1,358 | 203 | 636 |
| The Silver Spear (ID: 182) | D Major | 880 | 230 | 216 |
| The Maid Behind The Bar (ID: 64) | D Major | 909 | 203 | 299 |
| The Wise Maid (ID: 118) | D Major | 612 | 130 | 155 |
| Cooley's (ID: 1) | E Dorian | 1,670 | 201 | 568 |
While some reels (like Cooley's) dominate live session sets, others (like The Silver Spear) are actually more commercialized on studio albums, indicating a fascinating "Session vs. Studio" paradox.
3. Sourced Tune Statistics
Here are the exact metrics for The Maid Behind The Bar sourced from our database of commercial traditional albums, tracklists, and player tunebooks:
| Metric | Sourced Value |
|---|---|
| Commercial Recordings Count | 196 albums |
| Session Occurrences Count | 203 unique sets |
| Distinct Recording Artists | 158 artists |
| Tunebook Repertoire Count | Listed in 5887 tunebooks |
| Primary Key/Mode | D Major |
4. Musical Structure & ABC Notation
Musically, the tune is structured in the classic AABB format. The A-part establishes the main rhythmic pattern (often with a repetitive octave or drone shape), while the B-part opens up the melody to higher scale runs.
X:64
T:Maid Behind The Bar, The
R:reel
M:4/4
L:1/8
K:Dmajor
%abcjs_soundfont fluid
%%MIDI program 23
%%MIDI bassprog 32
%%MIDI chordprog 24
%%MIDI bassvol 64
%%MIDI chordvol 64
|:FAAB AFED|FAAB ABde|fBBA Bcde|fBBA BcdA|
FAAB AFED|FAAB ABde|fBBA BcdB|AFEF D4:|
|:faab afde|fdad fd d2|efga beef|gebe gfeg|
fgaf bfaf|defd e2 de|fBBA BcdB|AFEF D4:|
View Interactive Sheet Music (Tune ID: 64)
5. Chronological Recording Timeline
Tracing the tune's recorded history reveals how it grew from a regional favorite to a globally recognized session classic:
6. Notable Recordings from the Database
Musicians looking to study the nuances of the tune should listen to a variety of instruments. Below is a detailed analysis of the most recorded and stylistically significant versions of The Maid Behind The Bar from our database:
1. Aengus — Aengus
ID: 3039 | Track 9, Tune #1A classic and highly influential recording of The Maid Behind The Bar featuring Aengus's signature lift and ornamentation. This track showcases the tune's role within modern ensemble playing, highlighting the acoustic dialogue between lead instruments.
- Tune #1: Maid Behind The Bar, The (tune, ID: 64)
2. Alex Green — Whistle O'er The Lave O't
ID: 2499 | Track 6, Tune #1A classic and highly influential recording of The Maid Behind The Bar featuring Alex Green's signature lift and ornamentation. This track showcases the tune's role within modern ensemble playing, highlighting the acoustic dialogue between lead instruments.
- Tune #1: Barmaid, The (tune, ID: 64)
- Tune #3: Scholar, The (tune, ID: 94)
3. Allan MacDonald & Gordon Walker — The Piping Centre 1998 Recital Series - Volume 2
ID: 6573 | Track 13, Tune #11A classic and highly influential recording of The Maid Behind The Bar featuring Allan MacDonald & Gordon Walker's signature lift and ornamentation. This track showcases the tune's role within modern ensemble playing, highlighting the acoustic dialogue between lead instruments.
- Tune #3: Captain Horne (tune, ID: 4262)
- Tune #6: Spitfire (tune, ID: 1157)
- Tune #9: Sleepy Maggie (tune, ID: 787)
- Tune #10: Macfarlanes (tune, ID: 9500)
- Tune #11: Maid Behind The Bar, The (tune, ID: 64)
- Tune #12: Jenny Dang The Weaver (tune, ID: 380)
4. Aly Bain — 50 Fiddle Solos
ID: 3915 | Track 10, Tune #1Aly Bain's driving fiddle style brings a Shetland-infused energy to the tune. Played under the title "The Barmaid," this version is celebrated for its bright tone, smooth string crossings, and high-octane tempo.
- Tune #1: Maid Behind The Bar, The (tune, ID: 64)
5. Aly Bain — First Album
ID: 1636 | Track 6, Tune #1Aly Bain's driving fiddle style brings a Shetland-infused energy to the tune. Played under the title "The Barmaid," this version is celebrated for its bright tone, smooth string crossings, and high-octane tempo.
- Tune #1: Barmaid, The (tune, ID: 64)
- Tune #2: Carpenter, The (tune, ID: 143)
- Tune #3: Reconcilliation, The (tune, ID: 1977)
6. Aly Bain — The Best Of Aly Bain
ID: 3113 | Track 1, Tune #1Aly Bain's driving fiddle style brings a Shetland-infused energy to the tune. Played under the title "The Barmaid," this version is celebrated for its bright tone, smooth string crossings, and high-octane tempo.
- Tune #1: Barmaid, The (tune, ID: 64)
- Tune #2: Carpenter, The (tune, ID: 143)
- Tune #3: Maid In A Box (tune, ID: 1977)
7. Amelia Parker — Forwards
ID: 8065 | Track 7, Tune #2A classic and highly influential recording of The Maid Behind The Bar featuring Amelia Parker's signature lift and ornamentation. This track showcases the tune's role within modern ensemble playing, highlighting the acoustic dialogue between lead instruments.
- Tune #1: Silver Spear (tune, ID: 182)
- Tune #2: Maid Behind The Bar (tune, ID: 64)
- Tune #3: Jenny Dang The Weaver (tune, ID: 380)
8. Antóin Mac Gabhann and Hilda Chiasson — Ar Aon Bhuille/Marching Beats
ID: 6320 | Track 12, Tune #3A classic and highly influential recording of The Maid Behind The Bar featuring Antóin Mac Gabhann and Hilda Chiasson's signature lift and ornamentation. This track showcases the tune's role within modern ensemble playing, highlighting the acoustic dialogue between lead instruments.
- Tune #1: Fisherman's Island (tune, ID: 181)
- Tune #2: Corner House, The (tune, ID: 479)
- Tune #3: Maid Behind The Bar, The (tune, ID: 64)
7. Popular Set Transitions & Pairings
Traditional tunes are rarely played in isolation. In sessions and albums, they are grouped into sets of 2 to 4 tunes to build momentum. Here are the top transitions for The Maid Behind The Bar based on live session sets:
- Cooley's (ID 1) - 124 sets
- Silver Spear (ID 182) - 63 sets
- Drowsy Maggie (ID 27) - 49 sets
- Banshee (ID 8) - 37 sets
- Cooley's (ID 1) - 110 sets
- Banshee (ID 8) - 48 sets
- Sally Gardens (ID 98) - 46 sets
- Wind That Shakes The Barley (ID 116) - 43. sets
8. Frequently Asked Questions (FAQ)
Who wrote The Maid Behind The Bar?
It is an anonymous traditional Irish folk tune.
Is The Maid Behind The Bar difficult to play?
It is moderately difficult due to the syncopated rhythm in the A-part and the fast runs in the B-part.
What key is The Maid Behind The Bar in?
It is in D Major.
What instruments suit The Maid Behind The Bar?
It sounds spectacular on the fiddle and button accordion, but is played on all session instruments.
What tune usually follows The Maid Behind The Bar?
Cooley's Reel (12.10%) and The Banshee (5.28%) are the top follow-ons.
Where can I find The Maid Behind The Bar sheet music?
Interactive sheet music settings are available in our Tune Settings Search tool.
Is The Maid Behind The Bar public domain?
Yes, it is a traditional folk tune in the public domain.
Why is it called The Maid Behind The Bar?
The title refers to a barmaid, a common character in folk songs and tunes of the 19th century.
9. Conclusion
Whether you are an intermediate learner practicing finger coordination or a veteran player driving a session set, The Maid Behind The Bar offers infinite depth. Listen to the masters, study the transitions, and find your own lift on this classic tune.